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			 The problem: He didn't have a story. 
 			Now, the distillation of the time spent among Braddock's 
			working-class single-family homes and rusted-out iron furnaces along 
			the Monongahela River has delivered the elements Cooper needed for 
			"Out of the Furnace" — a tale of brothers and revenge. Starring 
			Christian Bale and Casey Affleck, it will be in wide release in U.S. 
			movie theaters on Friday.
 			"I was struck by how cinematic (it was) and how it dripped with 
			atmosphere," said Cooper of Braddock. The borough reached its 
			economic peak in the 1950s and '60s but went into a steep decline in 
			the early '80s, when the area's major blast furnaces closed.
 			Braddock's population today stands at around 2,100, and it has lost 
			more than 80 percent of its residents since 1960.
 			"I knew that I wanted to shoot a film here and I wrote it 
			specifically for Braddock," Cooper added. "I wasn't going to make 
			the movie if I didn't shoot it there." 			
			
			 
 			"Out of the Furnace," distributed by independent studio Relativity 
			Media, tells the story of steel mill worker Russell Baze (Bale) and 
			his younger brother, Rodney (Affleck), an Iraq War veteran haunted 
			by his tours of duty, who would do anything to avoid working in the 
			mills like his brother and father.
 			What struck Bale about the Russell character, a good man to whom bad 
			things happen, was the change in Braddock's fortune and how Russell 
			was determined to stay despite the odds.
 			"It was someone who feels so connected to their own land," said the 
			Welsh-born Bale, a self-described rootless person who grew up in 
			Europe and the United States. "Even if something disastrous was to 
			happen, they would rather stay there."
 			The film — which features several past Oscar nominees and winners, 
			including Willem Dafoe, Woody Harrelson, Forest Whitaker and Sam 
			Shepard — adds a working-class quality to the recent spate of 
			Hollywood fare that touches on the social anxieties and financial 
			insecurity wrought by the recession.
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			 "I wanted to shine a light on what we as Americans 
			were experiencing in these past five turbulent years: economic 
			distress, fighting wars on two fronts and having those soldiers 
			return, suffering from post-traumatic stress disorder and having a 
			very difficult time assimilating back into life," said Cooper, whose 
			2009 debut film "Crazy Heart" earned critical acclaim and a best 
			actor Oscar for Jeff Bridges.
 			REVENGE AS LOVE
 			The methodical thriller is set in motion when the emotionally 
			volatile and heavily in debt Rodney becomes enmeshed in an 
			underground boxing scene run by local bookmaker John Petty (Dafoe). But when Rodney and Petty disappear after a fight 
			run by diabolical New Jersey drug dealer Harlan DeGroat (Harrelson), 
			Russell takes matters into his own hands to find DeGroat as police 
			drag their heels in pursuit of the hillbilly kingpin.
 			The film, which shows revenge as an act taken in equal measures of 
			rage and love, sets its most violent moments in the abandoned Carrie 
			Furnace near Braddock that once roared, producing iron for United 
			States Steel Corporation. "I couldn't find that myself if I built it," Cooper 
			said he told himself when he found the site. "I wanted that to be 
			the place where Casey Affleck, where we first meet him fighting, and 
			where Woody Harrelson's character meets his maker."
 			Bale, who won a best supporting actor Oscar for the 2010 boxing 
			drama "The Fighter," said he was unable to shake the story of 
			Russell avenging the loss of his brother from his mind after he read 
			the script.
 			"He's a man of incredible stoicism and patience ... who, when 
			everything is lost, allows these impulses to come through that he 
			had always had," the actor said. 						
			
			 
 			But it was also Braddock, its boarded-up houses and vacant lots, 
			seeking its own retribution to lost jobs and lost hope that 
			resonated with Bale.
 			"Something about the extreme change of fortune in the town," he 
			said. "The notion of globalization and outsourcing of the American 
			heartland and manufacturing, and this character who stayed."
 			(Editing by Mary Milliken and Gunna Dickson) |