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				 "Desolation of Smaug," out in U.S. theaters on Friday, picks 
				up the tale of "The Hobbit" as Bilbo Baggins and the band of 13 
				dwarves led by Thorin Oakenshield make their way across 
				treacherous terrain on their quest to the Lonely Mountain, 
				currently guarded by a fire-breathing dragon, Smaug. 
 				The Warner Bros. production is expected to be one of the year's 
				highest-grossing worldwide with projections of $1 billion in 
				ticket sales. Industry experts predict it will ring up $80 
				million in its opening weekend at the North American box office.
 				Bilbo, a reserved hobbit forced out of his comfort zone, has 
				come into his own in the second film. But his possession of the 
				mysterious ring he stole from Gollum's cave in the first 
				installment — the same ring that leads to an epic saga in the 
				"Lord of the Rings" trilogy — is taking a hold on his soul.
 				"He can feel that he needs it and he can feel that he really 
				does not want to relinquish it, and he doesn't know why. I think 
				that confuses him and troubles him that he has this strong 
				feeling of a trinket," British actor Martin Freeman, who plays 
				the hobbit in the live-action 3D film, told Reuters. Hobbits are 
				fictional human-like creatures in author J.R.R. Tolkein's 
				fantasy novel "The Hobbit." 				
				
				 
 				Made for $250 million, "Desolation of Smaug" sees the unlikely 
				band of heroes chased by giant carnivorous spiders and brutish 
				Orcs, challenged by arrow-wielding elves and the desperate 
				humans of Lake Town, and finally, the great Dragon of Erebor, 
				Smaug.
 				British actor Benedict Cumberbatch voiced the dragon and also 
				helped create the movements of the giant mythical reptile 
				through motion capture, a special-effects film technique, 
				researching the characteristics of komodo dragons, serpents and 
				bats to embody Smaug's slithering and flight.
 				"I wanted his pitch to be a lot lower ... really placing it in 
				the body and trying to make it sound old, warm but incredibly 
				powerful," the actor said.
 				Cumberbatch, who also plays dark spirit Necromancer in "The 
				Hobbit" films, said Smaug's characteristics could convey a more 
				contemporary social message.
 				"You could read him as some sort of emblem for all that's gone 
				wrong in the past decade with free market capitalism if you 
				wanted to. His level of venality is pretty devastating and 
				destroys him as much as the things around him," he said.
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             FEISTY NEW FEMALE ELF
 			In the male-dominated realm of Middle Earth, only a few female 
			characters are given a chance to shine — notably Liv Tyler's elf 
			maiden Arwen and Cate Blanchett's elf queen Galadriel in the "Lord 
			of the Rings" trilogy. When adapting Tolkein's prequel "The Hobbit" into 
			three films, Jackson worked with producers to create a new character 
			not featured in the original book. Unlike Tyler and Blanchett's 
			characters, the elf warrior Tauriel, played by Evangeline Lilly, is 
			not high-born — she is a working class 'Silvan' elf, who guards the 
			Elven kingdom.
 			"The most important thing I wanted to bring was a sense of 
			femininity, because I think one of the dangers in modern day 
			entertainment is we project this idea that female power is in 
			embracing or copying violent men," Lilly said. The leading characters are all tied together by the 
			same thread of being outcasts, be it Bilbo's being a hobbit among 
			dwarves, Tauriel's place among her people, Bard the Bowman's 
			ancestral guilt, Smaug's self-inflicted isolation or Thorin's burden 
			of being a leader.
 			"Thorin has his highest moment in this movie and his lowest moment 
			... understanding the loneliness of that burden was a way of 
			sympathizing with him," actor Richard Armitage said.
 			Published in 1937, Tolkein's "The Hobbit" tale has become a literary 
			classic, and for the film's cast, the story transcends time and 
			resonates with universal themes of humanity.
 			"The setting is fantastical ... but I think the things the 
			characters are dealing with are very relatable. Even if it's not 
			really about wizards and elves, it's about you and me, it's about 
			what we go through in our lives, as all fables are," Freeman said. 			
			
			 
 			(Additional reporting by Lisa Richwine; 
			editing by Mary Milliken and Mohammad Zargham) 
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