| Spread across two buildings, including the prime minister's 
				17-storey High Block office, the Picassos were etched in 1958. 
				They are the first Picassos in concrete and four of them were 
				especially designed for the site.
 				Norway is debating what to do with the damaged buildings after 
				eight people were killed in the bombing, after which Breivik 
				killed 69 more people, mostly teenagers, at the ruling Labour 
				party's summer camp.
 				The new government, in office since October, is expected to 
				consider the issue next spring and government officials insist 
				no decision has been made.
 				"This is a highly emotional debate," Paal Weiby, a spokesman for 
				government's property manager Statsbygg, said.
 				"A lot of people would be terrified to go back" to work at the 
				building, he said. "But others say that this building is a 
				symbol and if you tear it down, the terrorist wins."
 				The works, discolored from years of cigarette smoke, were etched 
				into the concrete by Picasso's friend, the Norwegian artist Carl 
				Nesjar whose own works also decorate the buildings.
 				The Picassos include "The Beach," "The Seagull," "Satyr and 
				Faun" and two versions of "The Fishermen". Most are about 3m 
				(yards) wide but the outdoor version of the latter is 13m wide.
 				Breivik's bomb left a crater two stories deep, bent steel beams 
				and shattered concrete, damaging the High Block so badly that a 
				government-sponsored study recommended knocking it down, arguing 
				that a new building would save 400 million crowns ($65 million).
 				"Sure, but then you just finish Breivik's work," Oslo student 
				Sofia Hagen, 19, said. "Imagine how happy that would make him."
 				Some of the artworks could be moved, but critics say they do not 
				belong elsewhere and not all of them could be saved.
 				(Reporting by Balazs Koranyi; 
				diting by Michael Roddy and Louise Ireland) 
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